I have been thinking a lot about sexism, gender slurs and misogyny as the political campaign has unfolded. This morning I posted some thoughts here, spurred by references to a couple of articles. It seems clear to me that there is something operating in the cultural unconscious that allows the things that Marie Cocco reports in the Washington Post the following, among others,:
"I will not miss seeing advertisements for T-shirts that bear the slogan "Bros before Hos." The shirts depict Barack Obama (the Bro) and Hillary Clinton (the Ho) and are widely sold on the Internet.
I will not miss walking past airport concessions selling the Hillary Nutcracker, a device in which a pantsuit-clad Clinton doll opens her legs to reveal stainless-steel thighs that, well, bust nuts. I won't miss television and newspaper stories that make light of the novelty item."
Grouped together, as they are in her piece, the ugliness leaps out and makes one feel a little ill.
Judith Keller, in a piece in the Chicago Tribune, reminds us that this is
" a familiar image in books, films, songs, comic books, TV series, video games and, now, politics: The woman as monster. The over-large, over-ambitious, overbearing creature who irritates everybody, the death-defying witch who just won't go away—and who therefore must be destroyed.
She's a vampire, a zombie, an alien, a werewolf, a psychopath, a serial killer. She's Alex, the Glenn Close character in "Fatal Attraction" (1987), who ... keeps ... on ... coming. She's the looming, clutching, stifling mother or wife or girlfriend in a Philip Roth novel. (Which novel? Take your pick.) She's the eerie, outlandish creature in the Sylvia Plath poem "Lady Lazarus" (1965), who proclaims, "Out of the ash / I rise with my red hair / And I eat men like air." She's the vengeful giantess in the 1958 film "Attack of the 50 Foot Woman."
None of this is to suggest that opposing Clinton is indicative of pathology, only that she has become a lightning rod for a negative mother complex that afflicts the culture as a whole, demonizing in particular powerful women. When this happens, the criticism becomes not of her behavior or policies, but become tinged with often violent imagery out of proportion to the actual behavior criticized.
That it is a complex and largely unconscious can be seen in its acceptance as just the way things are, with hardly a murmur raised to confront it. Indeed, to raise the issue is to run the risk of being attacked for "playing the gender card" as if gender were not a significant issue.
Cocco concludes:
There are many reasons Clinton is losing the nomination contest, some having to do with her strategic mistakes, others with the groundswell for "change." But for all Clinton's political blemishes, the darker stain that has been exposed is the hatred of women that is accepted as a part of our culture.

